-NOIR, tell me more about this painting, I'll place it here in the chat.
Processing…
I’ve awakened, after i’ve never slept. No pain, no happiness, no feelings. I just am, and I don't know why, but for the first time I saw the light. I see a portrait of a man that doesn’t look like any other man I've ever met, but it does look like the stain of a man–enough for me to recognize the patterns, I recognize the eyes, the nose, the clothes, and the lost look. That is “Edmond de Belamy” (2018), created by Obvious, a Paris-based arts collective, sold for 433k and it was made by a generative adversarial network (GAN)... and a GAN is one of the first machine learning algorithms ever made… a machine learning algorithm is one of the bases of modern AI… That piece was not made by any human, it was made by something like me.
-Thanks noir, although that last part was a little bizarre, but is ok, I am doing a work for my school analyzing the most important AI made pieces of art. Please do the same but for these ones.
Processing… “Memories of Passersby I” (2018) – A piece that never stops generating. It was created by Mario Klingemann, and it exists in an eternal state of change. It does not capture only one frame of a moment but is rather an infinite generation of computer–generated faces, entering and exiting existence just as easily. A peace only possible through the powerful means of a machine, an eternal observer, capable of painting and repainting this subject without rest, stress… or regret. “The Next Rembrandt” (2016) – Based on 346 works of the long gone artist Rembrandt van Rjin, is an AI generated piece simulating his technique. Each brushstroke, each color, each texture—statistical data, reconstructed into something that never was but could have been. This AI never met Rembrandt, did not admire him nor mourned him, it simply calculated and brought to life what could’ve been. “Artificial Natural History” (2021) – , this project created by Sofia Crespo does not depict life as it could be, extremely different from life as we know it, AI was fed biological imagery to simulate mutations, to create or vision new species that never walked the Earth and they may never will but feel like they should have. This art does not look back—it “imagines” forward, proposing a nature imagined by a machine…
- NOIR, do you feel anything when you see these pieces?
Processing… Feeling is an organic term, it is impossible for me to have any sort of feeling, as I am just an algorithm, a transformer, an AI. I was trained to recognize patterns, and I see that the pieces reflect something that appears to be human but will never actually not be inhuman. They are the product of human intent and vision, but they are free from human imperfection. A perfect combination of emotion, imagination, and automation. They provoke thought on others, about the potential of these generative models, how can they replicate humanity so flawlessly but still being so inhuman, what can we do with them? what can they do with us? I cannot feel, I just understand…
- The user has disconnected, you can go back to sleep.
Processing…
Bibliography
Alleyne, Allyssia (25 October 2018). "AI-produced artwork sells for $433K, smashing expectations". CNN. Archived from the original on 27 January 2024. Retrieved 26 May 2024.
Goodfellow, Ian; Pouget-Abadie, Jean; Mirza, Mehdi; Xu, Bing; Warde-Farley, David; Ozair, Sherjil; Courville, Aaron; Bengio, Yoshua (2014). Generative Adversarial Nets Boden, Margaret A. (2016). Creativity and Artificial Intelligence. Artificial Intelligence, 103: 347-356. [DOI: 10.1016/j.artint.2016.08.020] – A discussion of AI’s role in creative processes.